Neil Harbisson | |
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Neil Harbisson |
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Birth name | Neil Harbisson |
Born | 27 July 1982 Belfast, Northern Ireland |
Field | Cyberarts, Avant-garde, Performance art. |
Training | Dartington College of Arts, New York Institute of Photography |
Works | Sound Portraits, Cybernetic Paitings, Color Scores, Capital Colors of Europe |
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Neil Harbisson (27 July 1982)[5] is a Catalan raised, Northern Ireland born artist, musician and performer best known for his self-extended ability to hear colours. In 2004 he became the first person in the world to wear an eyeborg.[6] The inclusion of the eyeborg on his passport photo has been claimed by some to be official recognition of Harbisson as a cyborg.[7] Color and the use of technology as an extension of the performer, and not as part of the performance, are the central themes in Harbisson's work. In 2010, he founded the Cyborg Foundation, an international organization to help humans become cyborgs.[8]
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Neil Harbisson was born with achromatopsia, a condition that only allows him to see in black and white. He grew up in Mataró (Spain) where he studied music, dance and drama[9] at various schools.[10] He began to compose piano pieces at the age of 11.[11] At school, classmates thought he was just being lazy every time he asked one of them to pass the red paint in an art class, or pick out a blue pen. He dressed exclusively in black and white. "What was the point in wearing something I couldn't appreciate?" he asks.[12] At the age of 16 he started studying Fine Art at Institut Alexandre Satorras, where he was given special permission to use only black, white and gray colors in his works. Harbisson's early works are all in black and white.[13]
In May 2001, he gained media attention in Spain after climbing on a tree to save three trees from being cut in the center of Mataró.[14] Harbisson lived on the tree for several days,[15] and was supported by over 3,000 people who signed a petition to maintain the trees.[16] After days of protest, the city hall announced the trees would not be cut.[17]
Harbisson moved to Ireland in September 2001 to finish his piano studies at Dublin's "Walton's New School of Music". In 2002 he moved to England to study Music Composition at Dartington College of Arts.
In October 2003 in his second year at Dartington College of Arts, Harbisson attended a lecture on cybernetics, particularly on sensory extensions via cybernetics, given by Adam Montandon, a Plymouth University student. Neil found this of immense interest and at the end of the lecture he went up to Adam to explain his condition. From that moment they started working on the eyeborg project.[18]
The eyeborg works with a head mounted camera that picks up the colors directly in front of a person, and converts them in real-time into sound waves.[19] Neil memorised the frequencies related to each colour: high frequency hues are high-pitched, while low frequency hues sound bolder. In Vienna, they co-presented their Eyeborg project, one of more than 400 entries from 29 different countries, and won the Europrix Award in Content Tools and Interface Design (2004), as well as the Innovation Award (Submerge, Bristol 2004).
In 2007, while hitch-hiking around Europe, Harbisson met Peter Kese in Ljubljana, a software developer from Kranj, Slovenia. Kese offered to develop the eyeborg even further so that Harbisson could perceive color saturation and not only color hues. After a few weeks he had developed a new eyeborg model that allowed Harbisson to perceive up to 360 different hues through microtones and saturation through different volume levels.[20]
Matias Lizana, a student from Universitat Politècnica de Catalunya is currently developing the eyeborg into a small chip as part of his final year project. The new chip will allow Harbisson to hear colours in stereo and to implant the eyeborg in his forehead.[21]
In 2004, Harbisson was not allowed to renew his UK passport because his passport photo was rejected. The passport office would not allow Harbisson to appear with electronic equipment on his head. Harbisson wrote back to them insisting that the eyeborg should be considered part of his body as he had become a cyborg. Letters from his doctor, friends and his college were sent to the passport office to give him support. After weeks of correspondence Harbisson's prosthetic device was included.[22] Harbisson states that he became a cyborg when the union between his organism and cybernetics created new neuronal tissue in his brain that allowed him to perceive color through a new sense: "It's not the union between the eyeborg and my head what converts me into a cyborg but the union between the software and my brain".[23]
In 2010, Neil Harbisson and Moon Ribas created the Cyborg Foundation, an international organization to help humans become cyborgs.[24] The foundation was created as a response to the growing amount of letters and emails received from people around the world interested in becoming a cyborg.[25] The foundation's main aims are to extend human senses and abilities by creating and applying cybernetic extensions to the body, to promote the use of cybernetics in cultural events and to defend cyborg rights.[26] In 2010, the foundation, based in Mataró (Barcelona), was the overall winner of the Cre@tic Awards, organized by Tecnocampus Mataró.[27]
Harbisson uses the terms sonochromatism or sonochromatopsia (Latin: sono-, sound + Greek: chromat-, color + Greek: -opsia, visual condition) to define his new condition. He explains that achromatopsia can no longer define his condition because achromatopsics can not perceive nor distinguish colors. He also explains that synesthesia does not define his condition accurately because the relation between color and sound varies depending on each person, whereas sonochromatopsia is an extra sense that relates color to sound objectively and equally to everyone.[28]
Harbisson's Sonochromatic Music Scale (2003) is a microtonal and logarithmic scale with 360 notes in an octave. Each note corresponds to a specific degree of the color wheel. The scale was introduced to the first eyeborg in 2004.[29] Harbisson's Pure Sonochromatic Scale (2005) is a non-logarithmic scale based on the transposition of light frequencies to sound frequencies. The scale discards color as being part of a color wheel and ignores musical/logarithmic perception so it can overstep the limits of human perception.[30]
Harbisson's visual works focus on the relationship between color and sound, and on the relationship between humans and color.[31] Harbisson's main works have been exhibited at the Bankside Gallery (London), at the Museumsquartier (Vienna), at the Royal College of Art Gallery (London), at Can Manyé (Alella)[32], at Galeria Tramart (Barcelona)[33] and at Venice's Giudecca 795 Contemporary Art Gallery [34] during the 54th Venice Biennale.[35]
In 2007 Harbisson started hitch-hiking around Europe to find the main colors of capital cities,[36] visiting more than 50 countries as well as travelling around Britain.[37] He scanned each capital until he was able represent each city with two main hues.[38] In Monaco, it was azure and salmon pink; in Bratislava it was yellow and turquoise; and in Andorra it was dark green and fuchsia.[39] Under the title Capital Colors of Europe Harbisson has exhibited the colours of each capital in several European galleries[40] including Spain, Andorra, UK, and Croatia.[41]
The eyeborg not only allows him to perceive and paint in color but it also means that everyday sounds, such as ring tones or music, become associated with colours.[42] Color Scores are a series of paintings where Harbisson transforms into color the first 100 notes of well-known musical pieces.[43]
Sound Portraits are portraits of people that Harbisson creates by listening to the colors of faces. Each face creates a different micro tone chord depending on its colours. In order to create a sound portrait he needs to stand in front of the person and point his eyeborg at the different parts of the face, he then writes down the different notes on a special 360 lined manuscript paper. He explains that photographs can not be used to create these portraits as colors are not the same on pictures than live. Since 2005 he has created sound portraits of Prince Charles, Antoni Tàpies, Tracey Emin, Leonardo di Caprio, Peter Brook, Al Gore, Sir Tim Berners-Lee and Woody Allen among others.[44]
The piano has been Neil's instrument since he was a small child. He gravitated towards it quite naturally, since he hated even the existence of color. ‘It was a black and white instrument, perfect for me.’ It was inevitable that his first performed composition as a cyborg was a marriage of paint and music. In Piano Concerto No. 1, Neil literally painted a Steinway & Sons grand piano, using the color frequencies to produce notes. With his next composition, the Pianoborg Concerto, the piano was 'prepared', by attaching a computer to the underside, the sensor of the eyeborg being positioned above the keys. When a color was shown to the sensor, the computer picked up the frequency and relayed this to the piano, which then played the corresponding note. Neil said ‘The piano is playing the pianist, which is what I wanted to achieve'.[45]
Harbisson's first color to voice performances were in collaboration with Icelandic singer and Amiina violinist María Huld Markan Sigfúsdóttir (wife of Sigur Rós keyboardist Kjartan Sveinsson), in their performances María used a computer and a microphone to sing the microtonal color frequencies that Harbisson used while creating live paintings on stage.[46] Their first performances were in 2004 at Ariel Centre (Totnes, UK) and at Plymouth Guildhall (UK) in 2005.
Since 2008 Harbisson has been collaborating and performing with Catalan artist and musician Pau Riba with whom he shares the same interest in cyborgs[47] They first performed in 2008 at Sala Luz de Gas (Barcelona), followed by other performances in Barcelona,[48] Girona and Mataró.[49] One of their recent projects is Avigram (Avi- Latin: bird, -gram Greek: something written, drawn or recorded) a structure of 12 strings, one string for each semitone in an octave, installed on a roof of a farm. The installation is being recorded 24 hours a day and a melody is being created depending on which strings birds decide to rest on.[50]
Harbisson has collaborated extensively with Spanish choreographer Moon Ribas in a series of devised theatre and dance performances. Works such as Opus No.1, premiered at London’s BAC Theatre in 2007, and The Sound of the Orange Tree, premiered at Barcelona's Antic Teatre in 2011, combine the use of cybernetics, colour and movement on stage and explore the relationship between colour and humans.[51] In 2010, Moon Ribas and Neil Harbisson's The Sound of the Orange Tree won the Stage Creation Award, awarded annually by IMAC Mataró[52]